Love Poem For Generator
Love Poem For Her For Him For Her That Make Her Cry In Hindi Tumblur In Images In Marathi In Tamil
Love Poem For Generator Biography
source link .www.google.pk
The preceding examples are only provided to support the discussion that follows, and should in no way be considered an exhaustive coverage of work in poetry generation. Important omissions include Tristan Tzara’s Dada Poems, the text generator RACTER, the “Tape Mark” poems of Nanni Balestrini, the musician David Bowie’s lyrics generator Verbasizer, the French literary group Transitoire Observable, and the critical perspectives of Marjorie Perloff, N. Katherine Hayles, and Loss Pequeño Glazier, though even this list is incomplete. Furthermore, the preceding is focused on text poetry, while much of the contemporary effort in Digital Poetry is heavily influenced by multimedia tools that became popular around the turn of the century (Funkhouser 2008); this omission is made because the case studies provided later are principally text-based, and because the focus of this article is on the algorithms and interactive elements of poetry generation rather than on the visual elements that are emphasized in most contemporary Digital PoetryDoyou have a favorite poem or song lyric or quotation that you’d make into a heart? How about this quote from Sleepless in Seattle?Just as networked personal computers are encouraging new approaches to poetry that depend on computation (Funkhouser 2008), recent trends in language technology are enabling new types of poetic expression. These language technologies include algorithms, computational models, and corpora. There are a number of ways that these technologies can be used to produce poetry. Such production often involves developing new ways for the computer to generate text, with various types of input from a human. This approach to poetry exposes and innovates relationships between the author, authoring tool, text, means of distribution, and reader.
There is no unified community practicing such a poetics. This is probably due to the cultural and historical divisions between artists, humanists, engineers, and scientists, as well as to the fact that humans are generally good enough at writing expressive poetry that the input of computer programs is not needed. However, because computer poetry generation can be considered one of the “key benchmarks of general human intelligence” (Manurung 2003), it has been pursued by various researchers and programmers in the past and is likely to be of continued interest in the future. Likewise, poets and theorists have explored new computational tools in the past and are likely to do so in the future. Those who develop an interest in generating computer poetry should consider how they can effectively chronicle their efforts to both contemporary and future fellow practitioners, acknowledging the difficulties created by technological obsolescence and distances of time and location.
This article begins by describing historical related work in interactive poetry generation. Section 2 describes the importance of implementations, interactive interfaces, and online communities, and Section 3 discusses case studies and related issues.
No comments:
Post a Comment